XTC
Chords:
Am: 002210
Bm: x24432
Bm6: x20102
Bm7: x20202
Bdim: 120100
C: 032010
D: 000232
D/F: 1x0232
Em: 022000
Em7: 02x030
Emadd4: 002003
F: 133211
G: 320003
Gadd2: 320203
G6: 320000
G/F (G7): 320001
Verse progression:
Gadd2-G Emadd4-Em Bm7-Bm6 Bm7-Bm6
We're only making plans for Nigel
We only want what's best for him
We're only making plans for Nigel
Nigel just needs that helping hand
Chorus:
Am G
And if young Nigel says he's happy
G/F
He must be happy
Em7
He must be happy
D
He must be happy in his work
Solo:
G Em Bdim-Bm Bdim-Bm
Verse:
We're only making plans for Nigel
He has this future in a British steel
We're only making plans for Nigel
Nigel's whole future is as good as sealed
Chorus:
And if young Nigel says he's happy
He must be happy
He must be happy
He must be happy in his work
Bridge:
E
Nigel isn't outspoken
C
But he likes to speak
G6 D/G G
And he loves to be spoken to
F C G
Nigel is happy in his work
Verse:
We're only making plans for Nigel
We only want what's best for him
We're only making plans for Nigel
Nigel just needs that helping hand
Chorus:
And if young Nigel says he's happy
He must be happy
He must be happy
He must be happy in his work
Solo 2x
Verse / Outro:
We're only making plans for Nigel
We only want what's best for him
We're only making plans for Nigel
Nigel just needs this helping hand
We're only making plans for Nigel
He has this future in a British steel
(NO CHORDS OVER THIS BIT)
(steel, stea-steal, stea-steal, stea-steal, stea-steal)
We're only making plans for Nigel
(REPEAT VERSE CHORDS UNTIL FADE OUT)
Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel, Nigel,
Wednesday, August 20, 2008
MAKING PLANS FOR NIGEL
When Im out walking I strut my stuff yeah Im so strung out
Im high as a kite I just might stop to check you out
Let me go on like I blister in the sun
Let me go on big hands I know your the one
Body and beats I stain my sheets I dont even know why
My girlfriend shes at the end she is starting to cry
Let me go on like I blister in the sun
Let me go on big hands I know your the one...
Im high as a kite I just might stop to check you out
Let me go on like I blister in the sun
Let me go on big hands I know your the one
Body and beats I stain my sheets I dont even know why
My girlfriend shes at the end she is starting to cry
Let me go on like I blister in the sun
Let me go on big hands I know your the one...
Blister In The Sun
Violent Femmes
Intro:
e|--------------|--------------|--------------|--------------|
B|--------------|--------------|--------------|--------------|
G|--------------|--------------|--------------|--------------|
D|--------------|--------------|--------------|--------------|
A|-----2--3--2--|----2--23--2--|-----2--3--2--|--------------|
E|--3-----------|-3------------|--3----------3|--------------|
Verse 1:
G C G C G C G
When I'm a walkin' I strut my stuff, then I'm so strung out.
G C G C G C G
I'm high as a kite, I just might stop to check you out.
Chorus:
Em C
Let me go on, like a blister in the sun.
Em C D
Let me go on, big hands I know your the one.
Verse 2:
G C G C G C G
Body beats, I stain my sheets. I don't even know why.
G C G C G C G
My girlfriend she at the end, she is starting to cry.
Chorus
Repeat Verses
TURNING JAPANESThe Vapors
FOR ONE GUITAR
The opening starts with a teriyaki-flavored riff like so:
E --15-15-15-15-13-13-10-10-13---15-15-15-15-13-13-10-10-13------
B --15-15-15-15-13-13-10-10-13---15-15-15-15-13-13-10-10-13------
G ---------------------------------------------------------------
D ---------------------------------------------------------------
A ---------------------------------------------------------------
E ---------------------------------------------------------------
The bass can either double the high-E string line on its low E at
the 15h fret, or better yet, detune the bass' E to D and play:
E(D) ---5--5--5--5--3--3--0--0--3--------------------------------
The verse riff is as follows (don't forget the nice rhythmic
stops in here, 'cause that's what gives the song that "hook"):
G Em
E ---------------------------------------------------------------
B --12-12--------13-12-------------------------------------------
G --12-12--------------12----14-14-------------------------------
D --12-12--12-12-------------14-14-----12-13-14------------------
A --10-10--------------------14-14--14---------------------------
E ---------------------------12-12-------------------------------
This is the main riff and gets played under the "I've got your
picture" lyrics, until "I sit there starin' and there's nothing
else to do" which features this:
A C D
E ----------------------------------
B --2-----5--7----------------------
G --2-----5--7----------------------
D --2-----5--7----------------------
A --0-----3--5----------------------
E ----------------------------------
A C D
I see you star-in' and there's noth-ing I can do
Next time around (after "I often kiss you when there's no one
else around"), this is added:
E --------------------------------------------------------------
B --2----5--7---------------------------------------------------
G --2----5--7------5--9--7--5--5--9--9--7--7--------------------
D --2----5--7---5--5--9--7--5--5--9--9--7--7--------------------
A --0----3--5---5--3--7--5--3--3--7--7--5--5--------------------
E --------------3-----------------------------------------------
E --------------------------------------------------------------
B --12-12-12----------------------------------------------------
G --12-12-12---5--9--7--5--5--9--7--------------7-7-7-7-5-5-2-5-
D --12-12-12---5--9--7--5--5--9--7--------------7-7-7-7-5-5-2-5-
A --10-10-10---3--7--5--3--3--7--5--------------5-5-5-5-3-3-0-3-
E --------------------------------------------------------------
..and back into the main riff. Granted, that jump to the barred
G at the 10th fret is a big one, but that's how it is on the
record, and with a little practice, it can be done. If you have
trouble, or if you wanna squeeze a second guitar in there, play
that G as a power chord on the 3rd fret instead of/in addition to
the 10th barre.
For the refrain, play this:
G
E ---------------------------------------------------------------
B --12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12--------------
G --12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12--------------
D --12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12--------------
A --10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10--------------
E ---------------------------------------------------------------
Turning Japanese... ...I really
D
E ---------------------------------------------------------------
B ---------------------------------------------------------------
G --12----12-----------------------------------------------------
D --12----12-----------12-10-9-----------------------------------
A --12----12------9-12---------12--------------------------------
E --10----10---10------------------------------------------------
think so...
F
E --------------------------------------------------------------
B --10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-------------
G --10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-------------
D --10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-------------
A ---8--8--8--8--8--8--8--8--8--8--8--8--8--8--8--8-------------
E --------------------------------------------------------------
Turning Japanese... ...I really
C
E --------------------------------------------------------------
B --------------------------------------------------------------
G --10----10----------------------------------------------------
D --10----10------------10-9-7----------------------------------
A --10----10------7-10---------10-------------------------------
E ---8-----8----8-----------------------------------------------
think so...
Play that twice, then this:
G F# F F# G C E D C E D
E --------------------------------------------------------------
B ----(a quick down/up/down strum)------------------------------
G --------------------------------------5--9--7--5--5--9--7-----
D ---5-5-5--4-4-4--3-3-3--4-4-4--5-5-5--5--9--7--5--5--9--7-----
A ---5-5-5--4-4-4--3-3-3--4-4-4--5-5-5--3--7--5--3--3--7--5-----
E ---3-3-3--2-2-2--1-1-1--2-2-2--3-3-3--------------------------
D C A C
E --------------------------------------------------------
B --------------------------------------------------------
G ------------------------7--7--7--7--5--5--2--5----------
D ------------------------7--7--7--7--5--5--2--5----------
A ------------------------5--5--5--5--3--3--0--3----------
E --------------------------------------------------------
I've got your...
The bridge after the second verse ("No sex, no drugs, etc") is
basically the same chord structure as the main riff, with a
rhythm change. The drum beat (hi-hat, actually) is on
"sex...drugs...wine...women" but the chord is played with
upstrokes on the word "no."
E ---------------------------------------------------------------
B -----------12--------12-------12-------------------------------
G -----------12--------12-------12-------------------------------
D -----------12--------12-------12-------------------------------
A -----------10--------10-------10-------------------------------
E ---------------------------------------------------------------
No sex, no drugs, no wine, no women...
Follow the same G - D - F - C chord pattern with that new rhythm
up to "everyone..." Then kick into the refrain and leave out the
full D and C riffs -- that space is taken up by the keyboard
chime sounds. You can throw in harmonics to fill the keyboard
gap, if you like. Over the "space" of the D, the following works
kinda nice:
D (Natural Harmonics)
E --------------------------------------------------------------
B -----------------------7--------------------------------------
G --10--10------------7-----7-----------------------------------
D --10--10-----12--7-----------7-------12-----------------------
A --10--10-------------------------12---------------------------
E ---8---8------------------------------------------------------
think so Turning Japanese...
I haven't found any harmonics that sound nice over the C chord,
but a pickslide will do in the meantime. Those of you with
tremelo prowess might want to divebomb on an F chord there. Just
a thought.
The solo is a little tricky at first, but worth it when executed
properly. It's played over the refrain riff.
E --12--10--12--10---7--10---7--7--5--5--3--5-------------------
B --12--10--12--10---8--10---8--8--7--7--5--7-------------------
G --------------------------------------------------------------
D --------------------------------------------------------------
A --------------------------------------------------------------
E --------------------------------------------------------------
E --5--3--5--3---0--3-------------------------------------------
B --6--5--6--5---1--5----1--3--5--7--8--10--12------------------
G --------------------------------------------------------------
D --------------------------------------------------------------
A --------------------------------------------------------------
E --------------------------------------------------------------
It's repeated twice, then back into the original refrain. It
sneaks in one more time near the end of the song; you'll hear it.
The end of the song is a variant of the riff after the 1st
refrain with a mega-cold ending:
G F# F F# G F# F
E --------------------------------------------------------------
B ----(a quick down/up/down strum)------------------------------
G --------------------------------------------------------------
D ---5-5-5--4-4-4--3-3-3--4-4-4--5-5-5--4-4-4--3-3-3-3----------
A ---5-5-5--4-4-4--3-3-3--4-4-4--5-5-5--4-4-4--3-3-3-3----------
E ---3-3-3--2-2-2--1-1-1--2-2-2--3-3-3--2-2-2--1-1-1-1----------
FOR TWO GUITARS
The whole song is actally done by TWO guitars (you can tell
because they're stereo panned left and right) so the above
arrangement is correct for ONE guitar. A more accurate
transcription for two guitars (if you really want it) is:
E --15-15-15-15-13-13-10-10-13---15-15-15-15-13-13-10-10-13------
B --------------------------------------------------(Guitar One)
G ---------------------------------------------------------------
D --12-12-12-12-10-10--7--7-10---12-12-12-12-10-10--7--7-10------
A --------------------------------------------------(Guitar Two)-
E ---------------------------------------------------------------
The second guitar (left channel) basically reinforces the riff
guitar by playing the same structure with power chords, or barre
chords with all downstrokes, all an octave or two lower, so it
sounds very aggressive.
The "lead" guitar can do this at the end:
E --------------------------------------------------------------
B --------------------------------------------------------------
G -------12--11--10--11--12--11--10-10-10-10--------------------
D --------------------------------------------------------------
A --------------------------------------------------------------
E --------------------------------------------------------------
Other than playing the rhythm part under the solo, that, just
split up the one-guitar transcription as you see fit, really.
THE LYRICS
V1
I've got your picture
Of me and you
You wrote "I love you"
I love you too
I sit there staring and there's nothing else to do
V2
Oh it's in color
Your hair is brown
Your eyes are hazel
And soft as clouds
I often kiss you when there's no one else around
V3
I've got your picture, I've got your picture
I'd like a million of you over myself
I asked the doctor to take your picture
So I can look at you from inside as well
You've got me turning up and turning down and turning in and
turning 'round
REFRAIN
I'm turning Japanese I think I'm turning Japanese I really think
so
Turning Japanese I think I'm turning Japanese I really think so
I'm turning Japanese I think I'm turning Japanese I really think
so
Turning Japanese I think I'm turning Japanese I really think so
V3
I've got your picture, I've got your picture
I'd like a million of them over myself
I want the doctor to take your picture
So I can look at you from inside as well
You've got me turning up and turning down and turning in and
turning 'round
REFRAIN
I'm turning Japanese I think I'm turning Japanese I really think
so
Turning Japanese I think I'm turning Japanese I really think so
I'm turning Japanese I think I'm turning Japanese I really think
so
Turning Japanese I think I'm turning Japanese I really think so
BRIDGE
No sex, no drugs, no wine, no women
No fun, no sin, no you, no wonder it's dark
Everyone around me is a total stranger
Everyone avoids me like a cyclone ranger
Everyone
REFRAIN
That's why I'm turning Japanese I think I'm turning Japanese I
really think so
Turning Japanese I think I'm turning Japanese I really think so
I'm turning Japanese I think I'm turning Japanese I really think
so
Turning Japanese I think I'm turning Japanese I really think so
GUITAR SOLO
REFRAIN
Turning Japanese I think I'm turning Japanese I really think so
Turning Japanese I think I'm turning Japanese I really think so
Turning Japanese I think I'm turning Japanese I really think so
(think so think so think so)
Turning Japanese I think I'm turning Japanese I really think so
So in short, it's a song about a guy who's obsessed with a
woman's photo and, like the Japanese tourist stereotype, wants to
take lots of pictures of her. That's all. The 80s weren't too
heavy on lyrics. :)
===================================================================
From: Gary Chapman
Turning Japanese - The Vapors - transcribed by Gary Chapman
/ = slide
x = hit strings percussively
~ = vibrato
--
Guitar 1 = RHS
Guitar 2 = LHS
Intro:
Guitar 1
E --15-15-15-15-13--13----------13------15-15-15-15-13--13----------13--------
B ----------------------15--15------------------------------15--15------------
G ----------------------------------------------------------------------------
D ----------------------------------------------------------------------------
A ----------------------------------------------------------------------------
E ----------------------------------------------------------------------------
Guitar 2
E ----------------------------------------------------------------------------
B --8--8--8--8--6---6-----------6-------8--8--8--8--6---6-----------6---------
G --7--7--7--7--5---5---7---7---5-------7--7--7--7--5---5---7---7---5---------
D ----------------------7---7-------------------------------7---7-------------
A ----------------------------------------------------------------------------
E ----------------------------------------------------------------------------
Pre-verse:
Guitar 1 A C D
E ------------------8-7----------------------------------- r --------------
B ----8---8-------------8--------------------------------- e ------------3-
G ----7-x-7---7--7-----------------9---9---------7-8-9---- p --2----0----2-
D ----5-x--------------------------9-x-9------9----------- e --2----2----0-
A ---------------------------------7-x-7------------------ a --0--xx3--xx0-
E -------------------------------------------------------- t --------------
Guitar 2
E -------------------------------------------------------- r --------------
B -------------------------------------------------------- e ------------3-
G -------------------------------------------------------- p --2----0----2-
D -----5------5------5------5------2------2------2------2- e --2----2----0-
A --------------------------5---------------------------- a --0--xx3--xx0-
E --3------3------3------3----000------0------0------0---- t --------------
Verse:
Guitar 1: rhythm same as pre-verse.
Guitar 2: I've split the notes into groups for ease of reading.
E ------------------------------------------------------------------------
B ------------------------------------------------------------------------
G ------------------------------------------------------------------------
D ------------------------------------------------------------------------
A ------------------------------------------------------------------------
E -3-3-3-3--3-3-3-3--3-3-3-3--3-3-3-330-0-0-0--0-0-0-0--0-0-0-0--0-0-0-00-
Verse 1:
I got your picture, of me and you.
You wrote "I love you". I wrote "me too".
A C D
I sit and stare at it there's nothing I can do.
Oh it's in colour. Your hair is brown.
Your eyes are hazel. And soft as clouds.
A C D
I often kiss you when there's no-one else around.
E --3-------------------------------------------------------------
B --3-----------------------------------------------------------7-
G --4---5---9---7--5---5---9--97--7/12--------9---7--5---5---97-
D --5---5---9---7--5---5---9--97--7/12---10---9---7--5---5---97-
A --5---3---7---5--3---3---7--75--5/10---10---7---5--3---3---75-
E --3-------------------------------------8-----------------------
E ------------------------
B ------------------------
G --7-7-7-7-5--5--------5-
D --7-7-7-7-5--5--7--7--5-
A ----------------7--7----
E ------------------------
Verse 2:
I've got your picture, I've got your picture.
I'd like a million of you over my cell.
I want a doctor to take a picture,
so I can look at you from inside as well.
A C D
You got me turning up, I'm turning down, I'm turning in, I'm turning 'round,
Chorus:
Lick 1 (Both guitars) Lick 2 (Both guitars)
E ----------------------------- ---------------------------
B ----------------------------- ---------------------------
G ---------7---5---4---2---/5-- -------5---4---2---0---/4--
D -----4-7--------------------- ---2-5---------------------
A ---5------------------------- -3-------------------------
E ----------------------------- ---------------------------
G
I'm turning Japanese, I think I'm turning Japanese,
D (Lick 1)
I really think so.
F
Turning Japanese, I think I'm turning Japanese,
C (Lick 2)
I really think so.
(repeat)
E ------------------------------3--------------------------
B ------------------------------3--------------------------
G ------------------------------4---5---9---7--5---5---97-
D --5------4------3------4------5---5---9---7--5---5---97-
A --5------4------3------4------5---3---7---5--3---3---75-
E --3--3-3-2--2-2-1--1-1-2------3--------------------------
(verse 2)
(chorus)
Interlude:
Lick 3 (Guitar 1)
E --10---10---10---10-
B --10---10---10---10-
G --------------------
D --------------------
A --------------------
E --------------------
Guitar 2: G G G G G G
No sex, no drugs, no wine, no women, no fun, no sin, no you,
Guitar 1: (Lick 3)
Guitar 2: G G D D D D
no wonder it's dark.
Guitar 2: F F F F F F
Everyone around me is a total stranger, everyone abhors me like
Guitar 2: F F C C C C
a psyched lone ranger, everyone.
(chorus, without the Licks, guitar 2 plays power chords instead)
(chorus)
Harmony:
E -12-10-12--10-------10------------------------------------------
B -12-10-12--10---12--10----12-12-10-10-8-10----10-8-10-8------8--
G ----------------12--------12-12-11-11-9-11----10-9-10-9---9--9--
D ---------------------------------------------------------10-----
A ----------------------------------------------------------------
E ----------------------------------------------------------------
E -----------------------8- r -10-
B ----------------8--10---- e ----
G ------7--9--10----------- p ----
D -10---------------------- e ----
A ------------------------- a ----
E ------------------------- t ----
(chorus)
(chorus, with harmony)
E ----------------------------------------------------
B -------------------------------------------6-6-6-6--
G ----------------------------------------------------
D --5------4------3------4------5------4--------------
A --5------4------3------4------5------4--------------
E --3--3-3-2--2-2-1--1-1-2--2-2-3--3-3-2--------------
---
PEACHES
This isn't very much of a guitar song, as it is based around the bassline that JJ Burnel plays.
In fact, the guitar pretty much follows the bassline throughout the song.
The song is in the key of Eb minor :)
riff 1 riff 2
E-----------6h6----------------| E---------------------------------|
B-----------6h7----------------| B---------------------------------|
G-----------6h8----------------| G---------------------------------|
D-----------6h8----------------| D---------------------------------|
A--6----4---6h6----------------| A--6--6-6--6-4--4-----------------|
E-----6-----------6-6--6-4--2--| E------------------6--6-6--6-4--2-|
intro: bass plays riff 1 (x2), before guitar joins in on riff 2.
(riff 1 x4, riff 2 x1)
(riff 1 x6)
Strolling along minding my own business
Well there goes a girl and a half, she's got me going up and down
She's got me going up and down
(riff 2 x1)
Walking on the beaches looking at the peaches
(riff 1 x8)
Well I've got the notion girl
That you've got some suntan lotion in that bottle of yours
Spread it all over my peeling skin baby, that feels real good
All this skirt, lapping up the sun
Lap me up, why don't you come on and lap me up
(riff 2 x1)
Walking on the beaches looking at the peaches
(riff 1 x7)
Well there goes another one just lying down on the sand dunes
I better go take a swim and see if I can cool down a little bit
Coz you and me, woman, we got a lot of things on our minds
You know what I mean?
(riff 2 x1)
Walking on the beaches, looking at the peaches
(riff 1 x6)
Will you just take a look over there... where? there!
Is she trying to get out of that clitoris?
Liberation for women, that's what I preach, preacher man!
(riff 2 x1)
Walking on the beaches, looking at the peaches
(riff 1 x3)
Oh shit, there goes the charabanc!
(riff 3)
Looks like I'm going to be stuck here the whole summer
Well what a bummer!
(riff 4)
I can think of a lot worse places to be
(riff 3) riff 4) (riff 5)
Like down in the street or down in the sewer
(riff 6)
Or even on the end of a skewer!
riff 3 riff 4 riff 5 riff 6
E-------------| E-------------| E-------------| E-------------|
B-------------| B-------------| B-------------| B-------------|
G-------------| G-------------| G-------------| G-------------|
D------7-6----| D-------------| D-------------| D-------------|
A---6---------| A------7-6----| A------5-4----| A------3-2----|
E-------------| E---6---------| E---4---------| E---2---------|
(riff 1 x8, over keyboard solo)
(riff 1 x7)
Down on the beaches, just lookin' at the peaches...etc.
(there's a kind of question and answer section between the riffs and the vocals here, please
don't laugh at the way I've transcribed this bit...heh)
riff 3: m-ngh-m-ngh-m-ngh-m-ngghhh!
riff 4: m-ngh-m-ngh-m-ngh-m-ngghhh!
riff 3: ngghhh!
riff 4: ngghhh!
riff 5: m-ngh-m
riff 6: ngh-m-ngh-m-ngghhh!
(riff 1 x4)
(riff 2 x1, riff 7 x1)
riff 7
E-------------------------------------|
B-------------------------------------|
G-------------------------------------| <- a variation of riff 2, a kind of
D--4--4-4--4-3--3---------------------| 'harmony' with the bassline
A------------------4--4-4--4-3h4p3-1s-|
E-------------------------------------|
<one bar solo drums>
riff 8
E----------|
B----------|
G---6h8----|
D---6h8----|
A---6------|
E----------|
end on riff 8.
My Sharonna
The Knack
Oo my little pretty one, pretty one
When you gonna give me some time, Sharona?
Oo you make my motor run, my motor run
Gun it coming off of the line, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up with a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Come a little closer, over here
Close enough to look in my eyes, Sharona
Keep a little mystery, kissin' me
Runnin' down the length of my thigh, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up from a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Ma ma ma my Sharona
When ya gonna get to me, get to me
Is it just a matter of time, Sharona
Is it a destiny, a destiny
Or is it just a game in my mind, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up from a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma ma ma ma ma ma
Myee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Ooooh my Sharona
The Knack
Oo my little pretty one, pretty one
When you gonna give me some time, Sharona?
Oo you make my motor run, my motor run
Gun it coming off of the line, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up with a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Come a little closer, over here
Close enough to look in my eyes, Sharona
Keep a little mystery, kissin' me
Runnin' down the length of my thigh, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up from a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Ma ma ma my Sharona
When ya gonna get to me, get to me
Is it just a matter of time, Sharona
Is it a destiny, a destiny
Or is it just a game in my mind, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up from a touch of the younger kind
My-ee ey-ee by-ee ahee ah woo!
Ma ma ma ma ma ma ma ma
Myee ey-ee by-ee ahee ah woo!
Ma ma ma my Sharona
Ooooh my Sharona
One Thing Leads To Another
The Fixx
The Fixx
Bbm Ab Cm Bbm(2x)
Bbm Ab Cm
The deception with tact,
Bbm
just what are you trying to say?
You've got a blank face,
which irritates
Communicate, pull out your party piece
You see dimensions in two
State your case in black or white,
But when one little cross leads to shots,
grit your teeth
You run for cover so discreet,
why don't they:
Do what you say, say what you mean
oh, baby
One thing leads to another
You told me something wrong,
I know I listen too long but then
One thing leads to another
The impression that you sell
Passes in and out like a scent
But the long face that you see
comes from living close to your fears
If this is up, and I'm up, but your running out of sight
You've seen your name on the walls
And when one little bump leads to shock,
miss a beat
You run for cover and there's heat,
Why don't they:
Do what they say, say what they mean
One thing leads to another
You told me something wrong,
I know I listen too long but then
one thing leads to another
yeah yeah yeah
one thing, one one thing leads to another, another
Then it's easy to beleive
Somebody's been lying to me
But when the wrong word goes in the right ear
I know you've been lying to me.
It's getting rough,
off the cuff
I've got to say enough's enough
Bigger the harder he falls
But when the wrong antidote is like a bulge on the throat
You run for cover in the heat
Why don't they:
Do what the say, say what they mean
One thing leads to another
You tell me something wrong,
I know I listen too long
but then,
One thing leads to another
yeah yeah
one thing, one one thing leads to another (repeat till end)
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